Betty knows just how much Bimbo is turned on by cycles.
This is what I would consider
not conservative animation. Grim isn't holding anything back. He's just doing what he thinks is naturally funny. He's not checking his rule book first.
You'd have a million people saying no to this kind of thing today - or even in the 50s.
Not just because it's dirty - but because it's too cartoony. It "doesn't make sense".
This arm wave is funny as hell, you better say no to it, quick!
And of course the rubber butt slap is the topper of it all.
The Fleischers had their own sort of "limited animation " techniques. They would animate a lot of cycles or bits of animation and repeat them a couple times. This could essentially cut their budgets in half. This is different than say, HB's limited animation of the late 50s - where they were trying to hide the animation. The Fleischers made the cycles themselves funny and worth looking at more than once.''
By the 50s animation was still professional, but outside of some commercials, was pretty conservative. "We don't do that sort of thing anymore".
I love this early purity.
To me, this is the essential part of animation- moving things funny.
Now you have to fight like Hell to get anyone to allow you to do what simply comes naturally to the medium.
Look what this is doing for Bimbo!
Don't you wish your gal/dog? would do some erotic cycles for you?
http://www.cartoonthrills.org/blog/BettyBoop/mysteriousmose/bettydance1slapbuttsml.mov
Betty knows just how much Bimbo is turned on by cycles.
This is what I would consider not conservative animation. Grim isn't holding anything back. He's just doing what he thinks is naturally funny. He's not checking his rule book first.
You'd have a million people saying no to this kind of thing today - or even in the 50s.
Not just because it's dirty - but because it's too cartoony. It "doesn't make sense".
This arm wave is funny as hell, you better say no to it, quick!
And of course the rubber butt slap is the topper of it all.
The Fleischers had their own sort of "limited animation " techniques. They would animate a lot of cycles or bits of animation and repeat them a couple times. This could essentially cut their budgets in half. This is different than say, HB's limited animation of the late 50s - where they were trying to hide the animation. The Fleischers made the cycles themselves funny and worth looking at more than once.''
By the 50s animation was still professional, but outside of some commercials, was pretty conservative. "We don't do that sort of thing anymore".
I love this early purity.
To me, this is the essential part of animation- moving things funny.
Now you have to fight like Hell to get anyone to allow you to do what simply comes naturally to the medium.
Look what this is doing for Bimbo!
Don't you wish your gal/dog? would do some erotic cycles for you?
http://www.cartoonthrills.org/blog/BettyBoop/mysteriousmose/bettydance1slapbuttsml.mov