Friday, September 30, 2022

Filling Inked layers with color in Photoshop

Once I have my drawing inked and all the different shapes organized by folders and layers I'm ready to start dropping flat colors into the shapes.

 I want to get from here

to here

Note how all the groups and layers are organized:

I'll take my line drawing of the head silhouette and turn off some of the layer groups to make the color filling easier to follow.

I turned off all the facial groups and am going to fill the 'sillo' area of his head. Inside the sillo folder I'll make a layer called 'fill' under the line layer that's named whatever the shape is - in this case also 'sillo' like the folder.

Now, using the magic wand tool I select the empty inside of the shape. The shimmering broken lines show the area that is selected.

 Then while holding the shift key down, I also select The line itself.

Once the entire shape is selected I want to make it 1 pixel smaller all around.

I go up to the menu and drag down the 'select' menu to modify and contract.

Now it's ready to fill with color.

I click the color square at the bottom of the tool bar.

A window appears showing the current last selected color. I don't want this color so I'll change it using the slider to change the hue and the cursor in the big window to change the saturation of the color to what I decide to use. I click OK.

With the sillo layer selected I then click  shift-F5 and it fills the area with color.

I then select another inked area to fill with color and go through the whole process again.

Eventually everything will be colored but this is not how I want to final drawing to look. 

All these steps just produce a tool for me, an organized image that can be easily painted with brushes.
I want it finally to look like a rendered cartoon painting like you used to see on coloring book covers or in Golden Books.

Next step: Filling some shapes with gradients.

Monday, September 26, 2022

Prepping a drawing for painting it in Photoshop

People have asked me how I do my digital cartoon paintings so I'll attempt to explain it.

I'm sure there are many ways to do this but after years of trial and error this is the system I use.

First I draw a cartoon on paper. Then I scan it in and open it in Photoshop.

Once it's open, I up the resolution to 500 dpi. A high resolution will make the final inking and painting crisper.

Before I start actually painting or shading any of the drawing I have to take some steps to prep the drawing to make it easy to paint. Basically I create a flat inked and colored drawing that has no shading yet. It looks like a 2d animation cel. 

This takes a few steps and a lot of layers and folders.

Usually I start by making a couple folders in the layer window, one for the head and one for the body.

 For the purposes of this post I am just going to prep a head and a fairly simple one. I use the exact same procedure for the body when there is one.

1) Inking

I do the biggest shape first which usually is the overall silhouette of the head. I make a folder and call it 'sillo' for short. I make a layer in the folder and call that 'sillo' as well.

Then I trace the head shape using one of Kyle's Ultimate brushes called 'Smooth Criminal'. It's a very good inking brush with no fuzzy edges.

After the head I ink the next biggest shape which in this case is the bear's muzzle. I create a folder within the head folder and call it 'muzzle'. A layer inside is also called 'muzzle'. Every shape will get its own folder which keeps all the layers in an easy to understand hierarchy.

The next biggest shape is the mouth area so I ink that next. (I work my way down from the biggest shapes to the smallest shapes.)
BTW, I don't get a perfectly clean inking in one step. I ink each shape slightly rough and then clean it up after.

You can see that it took 4 strokes to get the shape of the muzzle. Each stroke is on a separate layer. 

Then I clean up where the strokes overlap to get a smooth shape. In order to do this neatly I clean one stroke at a time by turning the layer transparent so I can see where the lines overlap. I erase the overlap and then make the line opaque again and turn the next layer transparent and repeat the process.

Once all the layers have been cleaned up I merge them together to make just one layer.

You'll notice that this shape is not completely enclosed. I use the paint bucket to fill the shapes with color once I'm ready to color the whole drawing but I can't fill the shape with a color if it isn't completely

So for this muzzle I will make another layer to complete the shape. I don't want to see that line in the final painting which is why I keep it on another layer. Once I fill it with color I can turn off the enclosing line.

To fill a shape that is on 2 or more layer you have to select the shape by clicking the magic wand and also clicking the box that says 'sample all layers' at the top right.

Now that the whole shape is selected I can use the paint bucket to fill the shape with a color. I make a layer under the line layers and call it 'fill'.

I use this same inking step by step approach to finish inking the whole head doing the biggest shapes first and working my way down to the smaller shapes.

Next post: Filling the lines with colors.

If you'd like to see more of the paintings I've done this way, you can check out my Inbred Kitties NFTs. Just click this little unfortunate guy here:

Saturday, May 22, 2021


 Here are some slightly cartoonier primate sketches from this morning.

Friday, May 21, 2021

sketches from zoo shows - focus on primates

Now that the crazy man is gone, the news has been boring so I now watch a lot of zoo shows in the morning and like to sketch the animals (and some of the people too).

Here are some of our closest relatives.


Naturalists are among my heroes.

So are prosimians.

Here are some kids at the zoo about to meet a tame flying wombat or something.