Jim Smith has prepared scene setups for the first couple cartoons. For each scene we hand out setups of the basic BG and situation to the storyboard artists. (They aren't all in color and finished like this)
They are more like these Jim Smith drawings:
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We also hand out my outline of the scene (and the whole story)
They are more like these Jim Smith drawings:
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We also hand out my outline of the scene (and the whole story)
OUTLINE
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I'm not looking for wild abstract crazy drawings. I need strong acting that is in context of the scenes and story. And of course is funny. Funny and CUTE to steal a great trademarked phrase.
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It's a different way of doing storyboards than the studios use, looser in one way, tighter in another.
It's a lot of laughs if you have good control over your storytelling and acting. There is room for your gags too if you can make us laugh and keep the gags in context of the stories.
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Other jobs available:Designing Setups:
This is like drawing illustrations of a story for a Golden Book. You take the essence of a scene, design the background around the character and plan it so that the board artists and layout artists can have the characters move around and act out the scenes.
Layout or Advanced Cleanup:
Someone who can interpret the storyboard drawings into finished pencil layouts that will work for animation.
You have to be careful to not lose the life of the board sketches, while adding the details and construction.
I'll do another post on this soon.